FRIENDS WITH KIDS

I hesitate to recommend this movie because, like THE ARTIST, it might only be playing in three theaters in America (while HUNGER GAMES plays in all the rest). But should your Cineplex have 36 screens, perhaps one (the smallest) will have FRIENDS WITH KIDS. And if so, check it out.

Why might FRIENDS WITH KIDS be so hard to find? Because it’s geared to a minuscule subculture of moviegoers -- namely adults. Take any Adam Sandler comedy and this is the opposite of it. That alone should be enough to get you into the theater.

But on its own merit, FRIENDS WITH KIDS is worth seeing. It’s a smart ensemble romantic comedy about parenthood in upscale New York. Two best platonic friends decide to have a kid together trying to avoid the pitfalls their married friends have had once they became parents. WHEN HARRY KNOCKED UP SALLY.

Jennifer Westfeldt wrote, directed, and stars in it. Otherwise, she had nothing to do with the film. Oh wait – she also produced it. For my money, she was four-for-four. Most impressive to me was the screenplay. I found it so refreshing to follow characters who felt real, said funny things that actual human beings would say, and communicated without the benefit of pratfalls.

If you liked the cast of BRIDESMAIDS you’ll like this because it’s essentially the same group. Kristen Wiig, Maya Rudolph, Chris O’Dowd, and Jon Hamm are all there. But be forewarned: no one defecates in the street in this movie. So attend at your own risk.

Starring along with Jennifer Westfeldt is Adam Scott -- the Adam who should be starring in screen comedies, not Sandler. Whether it’s PARKS AND RECREATION or PARTY DOWN or anything he’s in – Scott manages to steal every scene with just his pitch-perfect comic reactions. He and Jennifer make a lovely screen couple, even when they’re dating other people.

Full disclosure: I checked Rotten Tomatoes to see what the critics had to say and the reviews were essentially positive, but there were those who gave it thumbs down. So it’s either sharp, funny, and touching or cutesy, crass, and overfamiliar depending on who you believe.

 One thing I notice is that when film critics dislike comedies they always accuse them of being “sitcommy.” That’s the withering blow – the film is a glorified sitcom. I sure wish they’d specify which sitcom however. How many romcoms have you seen lately that are better than SEINFELD or FRASIER? But if the critics like a movie they never compare it to a sitcom. I noticed that with 21 JUMP STREET even though it is adapted from a TV action-comedy.

FRIENDS WITH KIDS. See it at a theater if it’s still in release where you are. Or it’ll be the movie showing on your next flight. Then there’s always ON DEMAND, NETFLIX, premium cable. And I’m sure each network is developing a sitcom based on the premise. For all I know Jennifer Westfeldt is writing, directing, and starring in three of them.

Chevy Chase vs. Dan Harmon

The feud between COMMUNITY showrunner Dan Harmon and prima-donna/overrated/has-been star Chevy Chase has spilled out into the open. And it’s GREAT FUN!!

Let me tell you the backstory as objectively as I can.  And please know I have never met either party.


Difficult/unfunny/lucky to have any job, Chevy Chase apparently stormed off the set on the final episode thus forcing the writers to scramble.

Later, at the wrap party (where the ingrate actor did attend along with his wife and daughter), Dan Harmon proposed a toast, inviting the rest of the cast and crew to join in a rousing salute of, “Fuck you, Chevy!” The over-the-hill target was so enraged he and his family left.

It gets better. As they say on COMMUNITY – wait for it.

Former SNL cast member (now banned from the show) Chase calls Harmon and leaves a blistering voicemail message. Part of the message has leaked to the world. In addition to using every swear word at least twice, he calls Harmon fat and an alcoholic. Where does Chevy Chase, of all people, get off calling ANYONE fat and an alcoholic? In the rant he says, ““I don’t get talked to like that by anyone. Certainly not in front of my wife and daughter you goddamn asshole!” Okay. I’ll give him that. Because they fear for their jobs, everyone he’s worked with only says, “Fuck you, Chevy!” to his back. 

And, to be fair, I don't condone Harmon's ploy.   There are more elegant ways to handle this situation. 

Chase (whose last successful movie was over twenty years ago) goes on to complain about the writing. The COMMUNITY staff works literally around-the-clock and strives like no other show to be original and out-of-the-box. You might not agree with the results (and sometimes I don’t), but you have to give them props for always trying to top themselves. The writing on COMMUNITY is never lazy or formula.

Meanwhile, fellow-cast-member Jim Rash, who just won an Oscar for writing, doesn’t seem to have a problem with the COMMUNITY scripts.

Chase (whose talk show was one of television’s legendary disasters) has been biting the hand that feeds him frequently. He has publicly said he hates sitcoms. He told the Huffington Post recently: “This is the only time I’ve ever had to act every week in the same clothes and as the same character, and I don’t find it particularly enlightening. It’s not teaching anybody anything.”

Not teaching anybody anything? What did you teach them in THE KARATE DOG? Or NATIONAL LAMPOON EUROPEAN VACATION? CADDYSHACK II? OH HEAVENLY DOG? UNDER THE RAINBOW?

As someone who has been a showrunner myself, I always judge bad actor behavior on the “Is he worth it?” scale. Marilyn Monroe’s shenanigans used to drive director Billy Wilder nuts. But he put up with them, once saying, “My Aunt Minnie would always be punctual and never hold up production, but who would pay to see my Aunt Minnie?” Is Chevy Chase integral to COMMUNITY? Hell no. Is he replaceable? Hell yes. Do you even need another character in his place? Another hell no.

I think it’s a moot point anyway because although Chase says, “it depends on what happens” whether he returns to the show, there’s no way in fucking hell Harmon will allow him back.

Here’s what I don’t like about this juicy Hollywood story and what I do like.  (Remember, I'm Mr. Objective.)

The don’t like part first. By acting like a total jerk, Chase perpetuates the stereotype that actors are all out-of-control ego maniacal monsters. The truth is 95% of them are consummate professionals and easy to work with. They may have creative disagreements with you, but this is a collaborative process. They voice their concerns in a respectful way, and although I hate to admit it, they’re often right.  So he does his fellow actors a disservice... not that he gives a shit, I'm sure.  No one who walks off a set in the middle of a scene has any regard for his fellow actors. 

Now the like part. When showrunners clash with stars and one has to go, usually it’s the showrunner. This pendulum is starting to swing the other way. Charlie Sheen was fired from TWO AND A HALF MEN, not Chuck Lorre. And in this case Dan Harmon will surely prevail. Yay showrunners!

Chevy Chase will not get another show. And trust me, despite what he says, in another few years when the only work he can get is dinner theaters in North Dakota, the idea of steady employment on a network sitcom will look pretty damn good to him. But no offer will come. COMMUNITY only came along because then-NBC president, Ben Silverman forced Chase on Harmon. That won’t happen again. Chase has no name recognition factor anymore and the “Is he worth it?” scale is now pinning in the “no”.

Also, the buzz this story has created might benefit COMMUNITY’S campaign to get renewed for next season. What other NBC show is anyone talking about? So that’s a good thing – maybe the best thing Chase has contributed to the series in his entire tenure.

Final thought:  As many readers have pointed out, Harmon doesn't appear to be an angel either.  I've never met him, but I know there are former COMMUNITY writers who have run screaming from the show because of the insane hours.  Showrunning is incredibly stressful and arrows come at you from all sides.  It's not just difficult actors.  It's the network, studio, critics, religious zealots, and now bloggers.   But I've always approached the job this way:  the showrunner is mommy & daddy.  The cast and crew are your kids.  You be the grown-up. 

And as for Chevy, he'll be opening soon in YOU'RE A GOOD MAN, CHARLIE BROWN at the Emter Dinner Theater in Jamestown, North Dakota.  And there's RV parking!


Wait for it.